Ubi Caritas

Ubi Caritas is sung a capella – no piano accompaniment.

This post is divided into four sections:

  1. Explanatory Comments
  2. Audio Player
  3. Download Links
  4. Pronunciation Guide

·

About the Recordings:

Remember, these recordings are designed to teach you your notes.  They do not reflect how your part will be sung in performance with all the various markings, stylistic interpretations, director’s conducting, etc.

All the parts are recorded at a strict 52 bpm, which is the initial metronome marking, ♩=52, as indicated in your music.  (Refer to the CHINDIA post if you don’t understand.)  Keep in mind that the tempo does vary in this piece, but your recordings stay at 52 bpm throughout for learning purposes.  Fermatas and ritardandos are ignored as well.

This piece has changing meters.  Be careful when reading your music to be aware of what the time signature is in any given measure.  We have 3/4, 4/4, and 5/4 in just this one piece alone, so you may have 3, 4, or 5 beats in each measure.  If you find yourself missing or gaining beats while listening and following along in your music (especially during rests), chances are good that you need to correctly read which time signature you’re in.  If you do get lost, it’s super helpful to write down, in pencil, the beat numbers in the measures you’re confused with.

Also, the recordings do not include dynamics changes so that you can hear your notes more clearly while listening.  In other words, it’s the same volume level from beginning to end. But, keep in mind for performance that there are many different dynamics (volume changes) throughout the piece.

For sopranos, measures 52 and 54 have split parts.  You should be able to hear the first and second soprano parts played simultaneously in these measures, so pick out your parts accordingly.  Since there are only two measures in the entire piece with a soprano split, the soprano recording has both parts played together.  If you can’t hear your part, ask for assistance in class.

··

Audio Player:

Soprano:

Alto:

Tenor:

Bass:

The following SATB recording (all four parts together) should be used for practice only after you’ve thoroughly learned your part using the individual part recording.  The purpose of it is to practice singing your part while hearing all the other parts at the same time.  If you consistently get lost singing to the SATB recording, then go back to the individual part recording and review the problem areas.

Ubi Caritas – SATB:

···

Download Links:

Ubi Caritas – soprano part

Ubi Caritas – alto part

Ubi Caritas – tenor part

Ubi Caritas – bass part

Ubi Caritas – SATB (all parts together)

····

Pronunciation Guide:

Underlined syllables receive the stress/accent.

U – bi     ca – ri – tas    et    am – or,      De – us    i – bi    est.

oo-bee    kah-ree-tahs   eht   ah-mohr   deh-oos   ee-bee   ehst

 

Con – gre – ga – vit    nos    in    u – num   Chris – ti    a – mor.

kohn-gre-gah-veet   nohs   een   oo-noom   kree-stee   ah-mohr

 

Ex – sul – te – mus    et    in    ip – so    ju – cun – de – mur.

ehk-sool-teh-moos   eht   een   eep-soh   yoo-koon-deh-moor

 

Ti – me – a – mus    et    a – me – mus    De – um   vi – vum.

tee-meh-ah-moos   eht   ah-meh-moos   deh-oom   vee-voom

 

Et    ex    cor – de    di – li – ga – mus    nos    sin – ce – ro.

eht   eks   kohr-deh   dee-lee-gah-moos   nohs   seen-cheh-roh


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About bhschoir

BHS Choir Accompanist
This entry was posted in 2011 LAMC Festival and tagged , , , , , , , , , , , , , , . Bookmark the permalink.

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